Sunday 24 April 2016

Exhibition layout


Innative and focused. This design allows you to purely concentrate upon the work present without any distractions. Limitations with this design would be how would you be able to cost effectively display 200 pieces of artwork in a similar format. 


Metal and geometric shapes are easily identifiable to perceptions of the future. The designs are simplistic and would effectively hold individuals artwork in an interesting format. Although I like this approach, structural work has evidently taken place to construct these features, a factor in which we would not be able to complete in a rented space.  


For me the idea of using glass within the room's design is highly innovative as the conceptual aspects behind the design are strong. Glass resembles looking through something to reach another outcome, a factor in which can apply to the future of money and the uncertainties surrounding it. 




Again shape has highly informed the above designs with a large influence being upon that of user interaction, and the ways in which the consumers feels about the exhibition.  Again geometric shapes have been a large influence, a factor in which I may explore within my own designs.  


Light is often associated with the future, and definitely within a technological age. Light should be explored extensively. As the opening night also starts at 6pm, it is fair to suggest that the natural light is going to be minimal and thus the usage of light must be considered.  



A very minimal approach to that of futuristic design. This approach explores a primarily white colour palette, a factor in which I believe to be important as it mutes distraction from the work. 


An innovative way in which to display work, this approach explores the room's shape to its strongest potential.


As we are focusing upon the future of money a timeline strongly appeals to me. This may be suggesting the past of money up until this point or even help exhibit the work. 

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